Watching Derek Jarman’s Blue (1993) is like seeing everything and nothing at the same time. The cinema screen is entirely covered in a projection of blue, the particular tone of which was inspired by Yves Klein’s monochrome painting IKB 79 (1959) as well as the blue filter Jarman felt covered his own failing eyesight, symptomatic … Continue reading The year slips on the calendar: Takashi Makino’s 2012